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Material
Used - Material used is plastic
clay (without sand) mixed with munj (a kind
of grass).
Modeling Method
of making Tandoors
Step I: Once the clay is ready for
use, slabs about 120-150 mm wide, 500-600
mm long and 20-30 mm thick, are made. Some
dry clay is sieved on to these and then
they are rolled into cylinders. These cylinders
are then unrolled into a sort of semi-circle.
Two or three such unrolled cylinders are
molded together into a circle. This circle
forms the base of the clay oven.
Step II: After the base is made,
the uppermost part of this ring is pinched
at intervals to create little notches. It
is then left to dry overnight so that it
becomes hard and ready to receive the weight
of the next ring.
Step III: When the clay has dried
to the correct hardness, another ring is
fused on top of this ring. This smooth and
wet clay ring fits on top of the earlier
ring, especially where the notches have
been pinched. This is designed to give the
clay oven firmness and stability. Subsequent
sections are then added until the required
height is attained.
Step IV: This involves the shaping
of the last section on top, widely known
in the international segment as 'The Mouth'
which is turned in wards by hand and shaped
like the upper part of a pitcher. A lot
of buyers overseas have asked me weather
a turning machine "like those in wood
working' is used to make these mouths.
Step V: The last step before the
clay pots are dired in the open air is to
lock the rim around the mouth with a tensile
steel belt using the tensioning mechanism.
To further increase the strength of the
clay pot specially made jute wrapping is
applied on the outside. This helps in the
wear and tear of the clay pot while packing
or fitting.
The clay oven is now complete but it is
still not a complete Tandoor till it is
fitted in the earth or a metal container
or even in a counter at a restaurant &
treated by the head chef 'Tandooria'
A Peshawar refinement
Although Persians
can claim the design of the tandoor, 19th
century cooks in the northwest Indian city
of Peshawar (now in Pakistan) are responsible
for its legendary versatility. They came
up with the idea of using the tandoor for
cooking meats, fabricating thin metal spikes
for holding the food.
That brainstorm proved
simple and practical: Small whole chickens
and chunks of lamb, marinated in a spice-laced
(but not chile-hot) yogurt mixture and brushed
with ghee (clarified butter), are threaded
onto long iron skewers. They are then lowered
into the tandoor, with the pointed ends
resting in the glowing coals and the tops
leaning against the oven's neck. Every now
and again the skewers are pulled out, the
foods are brushed with a little ghee and/or
marinade, and then the skewers are returned
to the tandoor. This inspired technique
yields a flavor bonus: The food absorbs
both the subtle earthy scent naturally released
by the clay and the wisps of fragrant smoke
created by errant drops of marinade falling
onto white-hot coals.
Expanding
menu
An order of tandoori
murg (chicken) and nan, accompanied by lemon
or lime wedges, onion slices and achar (pickles)
and/or chutney, is still arguably the most
popular tandoori meal, with boti kebab (lamb
cubes) a close second. But the clay oven
repertoire, both in India and in its culinary
outposts, has expanded considerably since
those early days. Seekh kabob (minced lamb
or chicken), bara kabob (strips of lamb
loin) and tikka kabob (lamb, fish or chicken
chunks) regularly show up on tandoori menus.
Fish tandoori, in particular,
is an innovation that tradition-bound tandoori
cooks turn up their noses at, declaring
it a radical - and unacceptable - departure.
Not surprisingly, it was created by coastal
cooks to satisfy the seaside palates of
Bombay and Calcutta.
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